"The Cure for Everything is Saltwater, Sweat, Tears, or the Sea."

About Us

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San Juan Archipelago, Washington State, United States
A society formed in 2009 for the purpose of collecting, preserving, celebrating, and disseminating the maritime history of the San Juan Islands and northern Puget Sound area. Check this log for tales from out-of-print publications as well as from members and friends. There are circa 750, often long entries, on a broad range of maritime topics; there are search aids at the bottom of the log. Please ask for permission to use any photo posted on this site. Thank you.

11 November 2019

❖ BATTLESHIP USS MISSOURI "The Mighty MO" ❖

Battleship USS MISSOURI
888' of her in drydock at Puget Sound 
Naval Shipyard, Bremerton, WA., 1971.
She was in to have her bottom 
cleaned and painted, at a cost of 
$350,000. In 1970 the ship 
had 185,000 visitors.
AP Photo from the archives of the 
Saltwater People Log©

The USS MISSOURI
Length, 887' 3" x 108'2" x 28'11"
Speed 33 knots.
Displacement; 45,000.
Complement; 1,921.
Photo courtesy of the Battleship MISSOURI Memorial.
For more of her active duty, the website is HERE.
The USS MISSOURI was built at the Nw York Navy Yard, Brooklyn, where her keel was poured 6 Jan 1941.

1944: 29 January, she was christened at launch by Margaret Truman.
          11 June, the ship was commissioned as the USS MISSOURI.

1945: 2 September. Japan formally surrendered to the Allied Powers aboard the    MISSOURI in Tokyo Bay, ending WW II.

1953: 26 March. After completing his final mission, Cap. Edsall dies of a heart attack while entering port at Sasebo, Japan.

1955: 26 February. The MISSOURI was decommissioned and placed in mothballs at Puget Sound Naval Shipyard, WA.

1971: The USS MISSOURI was named to the National Register of Historic Places.

1986: The MISSOURI was re-commissioned and underway in September for a historic around the world cruise.

1992: The ship was decommissioned for the second and final time.

1995: The MISSOURI was removed from the Navy's Ship Registry.

1998: The MISSOURI arrives off Waikiki as a donation to the USS MISSOURI Memorial Association (a Non-Profit.) 

1999: 29 January. The battleship opens to the public on Battleship Row, Ford Island, Pearl Harbor, Hawaii.

01 November 2019

❖ COOKE, KECK, and THEIR GAL CIRCE ❖ (updated)

YACHT CIRCE 
with the setting sun, in the year of her birth
5 June 1932.

Low res scan of an original photo from the
Saltwater People Historical Society©
"CIRCE in Homer’s Odyssey was an enchantress that turned men into swine. In this modern-day tale, Stanton Keck is the sorcerer saving Circe from dry rot and turning the aging vessel into a sea goddess. Circe, a grand old racing yacht built in [1932], is being revived by Keck; a miraculous rescue for a once-proud beauty that has been living a life of ignominy for the past 15 years, more than once sinking at a Lake Union moorage.
      The 62-ft wooden sailboat, built by Ben Seaborn, is one of several splendid yachts that raced for more than 30 years on the west coast. A former crew member, Stanton Keck of Bellevue, is restoring the classic vessel, “mostly for nostalgic reasons, I guess.”
      “I sailed on Circe in the mid 1960s for a couple of years, then one day in 1972 I went to lunch at Franco’s (on Lake Union) and was going to show her to a friend. I’ve never seen such a mess in my life. She looked like a ghost ship.”
      Keck ended up buying 50 percent interest in the boat and moved Circe to Lake Washington in front of his Enetai home. He has stayed with his objective through two years of litigation involving disputes with Ben Seaborn’s twin brother, Jack who lives in Portland, OR., who owns the other 50 percent. Keck, a communications systems contractor, estimates the total cost of restoration at about $75,000.
      Ben Seaborn was only 16 when he designed the Circe. It was the start of a brilliant, sometimes controversial and short-lived career for a Seattle naval architect. According to one story, Seaborn received a slide rule for his ninth birthday, and a few years later had recorded on paper his first design concept of a big sailboat. The design reportedly was sent off to a prominent eastern yacht designer, who offered a great deal of encouragement to the youngster. One contemporary recalls that Ben Seaborn ‘was as close to a genius as anybody I’ve known.’ 

      Circe was built by Seaborn’s stepfather, Ray Cooke, and the boat raced by Cooke until his death in 1964. Seaborn was a regular member of the crew for almost 30 years. He passed away in 1960, age 45. 
      Circe weighs 42 tons, 14 in the keel. The beam measures 14-ft, 7-inches, and she draws 10-ft, 8-inches. Built originally as a cutter, the vessel was lengthened after several years to 65-ft and rigged as a yawl because it will be easier to steer and more comfortable on long charter runs.
      'One of the cotton head sails is as long as the boat, and the wood mast is 60-ft tall. It used to be 75-ft, but Cooke cut off 15-ft because it affected his handicap, having too much sail on top.'
      As one of the premier yachts on the Pacific Coast, Circe was the scratch boat for the Seattle Yacht Club for many years and sailed in half a dozen Transpacs and numerous Swiftsure races.
 

    
Racing Yacht Circe
Owned by Ray Cooke, SYC.
Photo 1934
Opening Day Regatta, on Lake Washington.

Click to enlarge.
Low res scan of an original photo from the
archives of the Saltwater People Log©

      On Circe’s first Transpac (Los Angeles to Honolulu) in 1933, the crew included Ben Seaborn as tactician, Jack Graham Jr., mate, John Dore Jr., (son of Seattle mayor), Jim Hastings, Jack Seaborn, and Bob Lampson. On the same race in 1936, the crew ran out of water a few days out of Honolulu. For awhile the men laughed about using beer to drink and to brush their teeth instead of water, but soon it became a matter of concern, a close call long remembered.
      'As a result,” explains Churchill Griffith, who joined the crew for the 1939 race, “we couldn’t get any water for anything except drinking. I think we only used about 20 gallons on the entire trip.'
      Griffith recalls Ben Seaborn’s pride in his navigational skills, in estimating and recording several days ahead the precise time, day, and minute the boat would arrive at a certain point. “On three different occasions I remember his coming within a minute or so of his estimate,” Griffiths says.
      Seaborn’s genius was utilized during WW II when he became deeply involved in the logistics of the Kaiser ship-a-day effort and the development of the B-17 production line at Boeing. He later designed the Thunderbird, a 26-ft sloop, at the request of the Douglas Fir Plywood Association. The plywood manufacturers wanted a kit design for a home-built boat; they got that, plus a boat which 20 years later still remained fiercely competitive. Some 2,000 Thunderbirds have been built, and they were sailed worldwide.
      Cooke, Circe’s builder, lived on the boat about 26 years. Since his death in [1963] 'not a drop of work had been done,' says Keck. 'The boat has been sitting in fresh water all those years.'
      In Circe’s teak salon, the bulkheads are papered with plaques—a reminder of a fine racing record when the yacht was riding high. The ups and downs of the classic seem strangely similar to those in the turbulent life of its designer, Ben Seaborn, but for Circe there’s now a second chance."
Words by Liz Schensted for Argus 1 May 1981.


Yacht CLARIBEL
Inscribed: Owner, Ray Cooke
9 May 1930.
This was the first year of
the Swiftsure Lightship Cup Race.
(see note below.)

Original photo from the archives of
the Saltwater People Historical Society©
1930:
"The Swiftsure Lightship Cup Race was born with the intent to 'sponsor ocean or offshore racing amongst clubs of PIYA for yachts of wholesome type, 27-ft 0-inches to 40-ft 0-inches waterline length, to comply with NAYRU Rules.'
      Four boats were entered in the first Swiftsure. A group of Canadians came down with an idea for a race around Vancouver Island. 
      'I suggested we sail out around the Swiftsure Lightship. We could get just as seasick and it wouldn't take as long,' said Ray Cooke.
      For that inaugural Swiftsure Lightship Cup Race of 1930, the trophy provided by the Royal Vancouver Yacht Club was named the 'Swiftsure Lightship Cup.' It was ordered from London, England, and featured an engraving of Johnson's Westward Ho. The deed of gift specified, 'The race this year will be from Victoria, B.C. to Swiftsure Lightship and return.'
      Almost as if by gentleman's agreement, the race co-founders, Commodore Barney Johnson and Ray Cooke, shared the trophy equally during the 1930s. As it turned out, two of the contests were essentially match races between Westward Ho (sometimes with alternate skipper Capt. St. Claire Jellett) and Cooke (in Claribel and Circe.)"

Swiftsure Trophy Winner: 
1930, Claribel, 42-ft Staysail Schooner, Ray Cooke, SYC.
1934, Circe, 63-ft Cutter, Ray Cooke, SYC.                                                    
Humphrey Golby and Shirley Hewett.
Swiftsure, The First Fifty Years 1930-1980
Yacht Circe
Dated 13 October 1935.
At home anchorage, Seattle, WA.,
with photographer in the foreground.

Original photo from the James A. Turner collection
archives of the Saltwater People Historical Society©
1932, 17 April: 
Broadway Yell Booms out for Builder Benny
"The sloop Circe of Seattle splashed into the waters of Lake Union Thursday afternoon to the accompaniment of a Broadway High School yell. That, my hearties, is decidedly something new again––launching a vessel, with scholastic trimmings.
      The class of '33, Broadway High, were fellow 'Tigers' of Ben Seaborn, terribly proud of him! And hadn't they a right to give the 'steam engine yell.'
      For two years––ever since he became a freshman at Broadway ––Ben Seaborn's spare time in school and out had been devoted to designing a sailing vessel on a major scale, and his hopes and ambitions had been followed step by step by his schoolmates as Ben approached his ideal––the Circe––which became the scratch boat of the Seattle Yacht Club.
      Four designs eventually took model form. Each time Ben came nearer to his big idea. Then, last July he took three weeks of intensive work on designing the Circe––and finished it.
      'Let's go!' said Ben. 'Skyrocket yell!' retorted his school pals. And they gave Ben the 'Siss-boom-bah.'
      As the sloop sank gracefully into the water and finally came to a float, the graybeards of the launching gallery broke into a cheer and rushed to congratulate the young designer, for the Circe had 'hit the line.'
      The vessel settled accurately on her waterline. Allowance was made for the four tons of inside ballast, the filling of the gasoline tanks for the auxiliary and the placing of the mast.
      The contract was let to the Lake Union Dry Dock and Machine Works. It was from the ways of this building that the Circe slipped into the waters, a boat ready to assume the handicap of scratch boat in this year's sailing races of the SYC.
      The Circe of Seattle is not a 'copy'; it is a new, original design.
      Measurements: Overall length, 58-feet; waterline length 46-feet; beam width 14-feet; with a draft of 9.5-ft and 2,000 sq feet of working sail.
      Ten tons of iron ballast are in her keel, and the stick is an eighty-five-foot high, hollow mast of spruce. Her canvas consists of mainsail, topsail, staysail, and working jib, marconi-rigged––in effect a cutter type; but sloop is a better fitting description.
      The very low construction, with her 14 tons of ballast, and the use of big timbers and heavy planking make the Circe very heavy, and the other lines referred to make her speedy, so that architect Seaborn has combined speed, comfort, and seaworthiness in his first big sail boat.
      Circe's debut will be in the opening regatta of the SYC on Lake Washington on 7 May 1932."
John H. Dreher. Seattle Times. April 1932.

1956; Circe was converted to a yawl for ocean racing.

1963, July 23; Ray Welcome Cooke, 78, a widely known Seattle yachtsman, died on board his boat, Circe, after suffering a heart attack. Cooke, was a veteran yachtsman who competed in sailing races along the Pacific Coast more than 40 years. His first race was in 1918.  He sailed five races in the California to Honolulu event, later called the TransPac and several Swiftsure Cup races. "I am really never ready for Swiftsure, we just shove off." 

2014, September: Charlotte Austin writes for 48ΒΊ North. Varnish gleaming at her dock on Lake Union, Seattle. In 1994 Circe started working with Reserve Officers' Training Corps (ROTC) students at the U of WA., under the Circe Foundation. Circe herself no longer acts as a training vessel, but the Sea Cadet and Sea Scout programs have enjoyed racing to practice their seamanship.

Recommended reading:
Norman C. Blanchard & Stephen Wilen. Knee-Deep in Shavings. Victoria, B.C., Horsdal & Schubart Publishers Ltd. 1999. pp 95-98.

30 October 2019

πŸ‘» HAPPY HALLOWEEN πŸŽƒ

Stuart Island,
San Juan Archipelago,
rock formation reflection...
rock and saltwater, sideways.
Photograph courtesy of the 
clever Maggie Wjolter,
crew on PIA cruising this date,
14 August 2019

11 October 2019

❖ WHEELING OUT THE GOLD DUST ❖




Master & pilot
Ralph W. Newcomb

Looking back with photographs 
of his career in the north.

Photo dated 1955.
Low res scan of an original photo from
the Saltwater People Historical Society©
 
"Fabulous gold strikes...dog-team runs across the Arctic...inch-by-inch navigation of treacherous river channels...hard times...and gay, unforgettable times, too. 
      These were the memories of Captain Ralph Newcomb, one of the last of the pioneer ‘paddleboat’ skippers of the Northland who helped shape Alaska’s colorful history.
      Newcomb was a youth in Wisconsin when reports of gold strikes in the Klondike lured prospectors from every corner of the nation.
      Steamboat veterans of the Mississippi River were needed to man the ‘paddle-boats' pressed into service to carry gold seekers and their supplies into the booming North Country.
      Among those who cast their lot with the Klondike were Newcomb’s father, Capt. Orrin J. Newcomb, and his brother, Capt. Bertram Newcomb. They went north in 1898 and young Ralph Newcomb followed a year later.
      Steamers built 'outside' were dismantled and shipped to Captain’s Bay near Unalaska. There they were reassembled and towed to St. Michael, the former Russian community at the mouth of the mighty Yukon.
      These early vessels carried both passengers and freight. Most were about 225-feet long and were fired with spruce cordwood. Barges were shoved ahead or lashed alongside.
      Newcomb’s first assignment was as purser aboard the HANNAH, an Alaska Commercial Co. ship. 
His father was the captain and his brother was the pilot. Later Newcomb served on the BELLA and the SUSIE, two other fabled sternwheelers.
      The HANNAH took out more than $1,000,000 in gold dust in Newcomb’s year aboard her. The gold was kept in the purser’s office, with guards posted nearby.
      Newcomb, not taking any risks, placed a sheet of steel on the floor so thieves could not bore up through the floor and tap the bags.
      'Good thing, too,' he said. 'Later we found some shavings and judged they drilled until they hit metal.'
Newcomb made his first trips as a purser in 1901. The next year he became a “flat pilot,” using the knowledge of the river he was able to gain the year before.
      'My job was to take the boats over the Yukon Flats—the worst part of the river,' Newcomb explained.
      'It was so shallow there were times we couldn’t run. We needed at least 4 1/2 of water.'
      'I learned my way by just by making the trip several times. There were no charts, only what you made yourself.'



Sternwheeler SUSIE 

Built 1898 Unalaska, 223' /1,130 G.t.
Getting ready for a 1,600-mile run to Dawson.
Last used in 1917; 
abandoned at St. Michael in 1942.
Here, alongside her bud SARAH. 
Published by Edward H. Mitchell.
Photo card from the archives of Saltwater People Hist. Society© 
     
 In 1904 Newcomb became a full-fledged pilot on the SUSIE between St. Michael and Dawson, the rip-roaring frontier town.
      Newcomb remembers the turn of the century when more than 150 steamers, big and little, plied the Yukon.
      The St. Michael-Dawson run covered 1,600 miles. The upriver journey requires 12 days and the boats returned in half that time. 
      'I was a pilot for a long time,' Newcomb said. 'It took a while to become a captain with all of the experienced men around.'
      In 1921 Newcomb received his first post as master of a sternwheeler, hauling freight between Fairbanks and Tanana on the Tanana River. The boat, too, was named the Tanana, owned by the American Yukon Navigation Co.
      The river-shipping industry took a stiff jolt in 1923 when the long-sought Alaska Railroad was completed to Fairbanks.
      'That knocked out a lot of our business.' Newcomb said. 'Then they bridged the Tanana at Nenana and the big boats couldn't get through to Fairbanks.'
      Newcomb returned to piloting. He served with Capt. John S. McCann on the steamer YUKON until the famed skipper retired in 1938. Then Newcomb became master of the YUKON.

Steamer YUKON

hauling freight from Nenana, AK.,
at the confluence of the Tanana & Nenana Rivers.
64ΒΊ33'53" N, 149ΒΊ6'18" W.
Click image to enlarge.

original photo from the archives of the
Saltwater People Historical Society©

      This was the era of tourist travel on the scenic canyon-walled Yukon River.
      The outbreak of the Second World War snuffed out the tourist trade. Newcomb was sent to the lower Yukon to haul military cargoes between Nenana and Galena. It was riverboats to the rescue as the Alaska Railroad was swamped with emergency shipments.
      The severe winter of 1946 spelled the end of the 'grand old lady of the river,' the YUKON. Ice damaged her hull, but Newcomb built cofferdams and made enough repairs to float the vessel into Nenana.
      The company then decided the YUKON was too old (built in 1913 and 1914 in Whitehorse, Yukon Territory) and pulled her from the river. She was stripped and left to decay.
      Newcomb 'retired' for the first time in 1947. But the river was his life. The Black Navigation Co. hired him to pilot small diesel boats on the Tanana. Later he went with the British Yukon Navigation Co., tugging barges from Mayo to Whitehorse.
      I'd sailed this area in 1922 and I knew the river,' Newcomb said. 'They needed experienced people.'
      In this period Newcomb served aboard the AKSALA –– formerly the ALASKA, the YUKON's sister ship, renamed by juggling a few letters.
      The boatman's last seasons were 1951 and 1952, with the black firm. He hauled freight again on the Tanana. Since then he has been a full-time resident of Seattle's Ballard District. 
      Even Newcomb, who had seen scores of bitterly disappointed men leave the goldfields as paupers were not immune to the lure of the gold trails. He spent several winters prospecting, 'but always a hundred yards off the paystreak.'
      The veteran steamboat man recalls one venture into the Yellow River in 1900, 'when I nearly starved to death.' He gave this account:
'It was a phony story about a gold strike. But we didn't know it then. To make matters worse, the last supply ship didn't get in in the fall and the few stores and missions there were mighty short of food.
      'Many turned back, including my father. But I had my neck bowed and kept going to see for my self what it was all about.'
       Newcomb's partner, a plucky Michigan man name Fred Bosworth, froze one foot and the men were forced to turn into an Indian village.
      The only shelter available was a crude shack with a 51/2-ft ceiling.

Eskimo residence 

Photograph by the well-known 
John E. Thwaites
Scan from an original in the archives of the
Saltwater People Historical Society©
      Six feet of new snow sifted down and the would-be prospectors had to remain in the village. Their only food was fish the natives had caught nearly three months before and stacked on the ice like pieces of firewood.
      A few weeks later the trail improved and Newcomb and Bosworth made it to a trading village 100-miles down the Kuskokwim River.
      By good fortune, an army contract doctor returning from a prospecting trip arrived in the village. Bosworth was stretched out on a table. Newcomb chloroformed him and the doctor amputated a piece of a toe.
      Then Newcomb returned his partner to St. Michael by sled. Newcomb walked the entire distance because there wasn't room for two on the sled.
      'But he was a wonderful partner.' Newcomb said. 'I never heard a whimper or whine out of him the whole time with all the pain.
      'It was rough, all right. But I wouldn't have missed it for a million dollars.'
Text by Stanton Patty for the Seattle Times March 1955.



08 October 2019

❖ FISHING THE HARD WAY ❖

November 1979 with columnist Jo Ann Morse



Jim Sesby & Ed Hopkins,
reefnet fishermen,

Off Squaw Bay,
Shaw Island, center of the 
 San Juan archipelago, WA.
Dated 1983
Photo courtesy of Gear 7 owners,
Ed and Kathy Hopkins.
click image to enlarge.


"Summertime travelers on ferries going between Lopez and Shaw Islands via Upright Channel often are intrigued by an array of open wooden boats, each with a tower at one end, anchored in an apparently deliberate pattern offshore of both islands. Lone figures stand motionless on each tower, staring intently at the water through Polaroid goggles.
      Few onlookers, if they don't live here, are aware they are watching one of the oldest methods of catching salmon known to man, a method said to have originated with the Lummi Native Americans just north of the San Juan Islands in Whatcom County.
      This is the only place in the world you'll see reefnet fishing. Here in the San Juans it's done by the white man who adopted the technique from the Native Americans. Around Lummi Island, both Indian and white fishermen set reefnet gear. Their boats and barges with outside towers are connected by nets with floats punctuating the rippled surface. 
      Most of the local reefnet gear has been brought in for the winter now, and we shall miss the 'set' that stood off the point a short distance from our waterfront deck. On a couple of occasions, we have managed to wheedle a salmon from the fishermen who spent daylight hours atop those towers watching for a run of fish headed north to spawn. We were close enough to hear the jubilant shouts ' Here they come!' and to watch the nimble tower-riders swoop down to hoist nets aboard, a couple of dozen salmon dancing shimmering silver in the sunlight.
      Some of the young people on our island have chosen to fish in this relatively primitive fashion and we silently cheered them on with each 'pull.' the season is short. This year they were not allowed to fish as often as usual. We suspect they may not have had enough to pay for the expensive nets, but these are the same people who push for conservation.
      Reefnetting carries with it an aura of native mystique. Reefnetters traditionally do not talk about what they do and discourage people from coming along to observe or photograph the operations. For one thing, there isn't much room in the narrow boats with their flared gunwales. Extra bodies are in the way and not at all welcome.
      Until this summer nobody had put this strangely intriguing harvest on film. But now comes an extremely determined graduate of Evergreen State College in Olympia who earned his degree by producing an extraordinary half-hour documentary entitled Salt Water People.

      Scott Miller, who never had written a grant proposal in his young life, spent four months at it. After observing that it was the best grant writing they'd seen, the Youth Grants program of the National Endowments for the Humanities awarded Miller nearly $10,000 to record this oldest of fishing arts in Northwest waters.
      That was three years ago. With Sid White of Evergreen State art department as his faculty sponsor, Miller and his friend Peter Alkins produced a film that earned Miller full credit on a two-year individual contract. In the process, he spent all of the grant money plus $2,000 of his own money, lived on crunchy granola,  bartered salmon in the county park campground on Shaw, and wore out his old station wagon. Evergreen supplied the technical equipment and local islanders cooperated in several ways. Miller's wife, Lisa, is an accomplished professional potter and Miller tells you frequently about the pottery sales and encouragement that kept him going.
      Salt Water People was a difficult film to make, partly because of the salt water people themselves. But Miller had good credentials. Several years ago he had fished with a well-known Shaw Island reefnetter. That friendship was invaluable in overcoming innate suspicion and talking himself aboard some of the reefnet boats. He also spent arduous months making quiet contacts among the Lummi, finally persuading one venerable tribal elder to talk about the legend and lore of reefnetting among her people. It was only a few days before the final editing that he even got permission to use some color stills of the Native woman. 
      The film is a head-on confrontation with the state of art as practiced today. Miller wisely eschewed the obvious, and probably tempting, archeological dig in favor of quiet narrative; the elderly Native woman, white reefnetters on Lummi, Shaw, and Lopez, who have run gear for many years, and finally a young Shaw Island couple who set gear within sight of their beachfront home.

     

L-R: Ed Hopkins, Doug Fawcett,
Kathi Melville, Doug Baier, Roger Melville,
Shaw Island reefnet fishers waiting for the tide.

Gear 7.
Photo courtesy of Ed & Kathy Hopkins. 

       It may look romantic from the deck of a ferry, but reefnetting is hard labor, complicated by strong currents that constantly foul gear which must be kept clear of kelp and flotsam. Reefnetters stand atop their towers in the blazing sun and in summer storms that can build up waves steep enough to toss the towers in sweeping arcs nearly down to the water. They can't quit on a fishing day, regardless of weather. Those days are too few.
      There is considerable footage of the competing fishing fleets that pave the Strait of Juan de Juca during the fishing season. Yet there is little bitterness in the voices and wonderfully weatherbeaten faces of the reefnetters. It's an art, a way of life, a love affair with a tough lady. They fish the hard way because they want to. One of the reefnet fishermen feels so intensely about it that he has turned some of the farmland into a final resting place for the years-old reefnet boats he finds about the country and up north near Lummi.
      Right now Miller is working and trying to find some more money for prints of the film. He is a softspoken, deceptively gentle 26-year-old who began his college career on a football scholarship at Colorado State. He bagged it, soon after, and if you want to know why, 'My next film may be about the insanity of college football...'

      

"Winter Storage"
Lineo cut block print, 1977
by Rex Brandt, N.A.(1914-2000)
former summer resident of Shaw Island, WA.

      Like its producer, Salt Water People is low-keyed and gentle, but it's full of throat-catching qualities that make me think it's an important one. The reefnet fisher may not be among endangered species––yet––but neither is it proliferating. The film tells you about the people who fish and how they do it. These are not the taciturn, grunting deckhands of a corporate commercial fishing vessel, pouring tons of salmon into cavernous holds. These are happy gamblers with nature because reefnetting is a kind of gamble and the reefnet fisherman admires his prey.
      Nets are set, lines strung to make the fish think they are approaching a reef. They swerve to avoid it and theoretically will swim right over and into the net. It's a critical moment that requires good timing. Sometimes they get away. In this film, they do get away. A young couple wearily resumes posts on the towers, and the gal excitedly calls across to her husband. 'Wow! I wonder if they feel like I'd feel if I got away!"




Photo postcard,
a winter haulout scene.
Blind Bay, Shaw Island, WA.
by Rod Peterson©

Text by Jo Ann Morse Ridley, for Enetai. 7 Nov. 1979


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